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iTunes customization; Back-channel artist payments
Merlin Mann | Apr 18 2005
furialog: iTunes Customization
The balls-out geekiness of Glenn’s intricate iTunes scripting deserves a shout-out on its own, but I also just like the underlying logic of it; “help me learn (and benefit) from what I do, not what I say I do or what I think I do.” So smart. I also love that he’s making a formal effort to send a little dough the artists’ way—even if it’s not via the piano-roll-riffic methodology that the RIAA and the plastic disc salesmen at the majors would have us cleave to (until they deign to join us in the 21st Century). I’m going to try and prod Glenn to share a bit of the code behind this; I’m sure that there’s a bunch of us who would enjoy a smarter iTunes experience and could benefit from insight into his scripts. And I can think of a few artists who would really like to see their fan-by-fan popularity turn into a few extra ducats where it can. [Hat tip to Gabe Roth for the link] Update 2005-04-19 09:15:42 - Oh, man was I snookered. See Glenn's response in comments. PayPal bit below stands, either way. On an only slightly unrelated note, I do wish that bands would make a point of opening a PayPal account and making it unapologetically easy to find and patronize. I know that business models eventually will evolve to pay labels and artists for “preview” copies we’ve stumbled across on the Interweb, but until they do, I would love to have an easy way to say “thanks” before a record even hits the meatspace shelves. Understand: this would be a band-aid (so to speak); it’s not a perfect system, but it’s something, and I imagine it could help to offset some of the income loss associated with unpaid downloading. Nice way to vote with your wallet as well as your ears and fawning LiveJournal posts. Anybody know of artists and labels that are doing this well right now? 17 Comments
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Diddy Daddy: Your point is very...Submitted by Merlin on April 19, 2005 - 1:18pm.
Diddy Daddy: Your point is very good except that, frankly, it’s a non-issue. People will continue to download music for free—especially advance copies—and whether that’s good, bad, or indifferent, it’s a reality that will continue for the foreseeable future. While I agree that what you’re saying is factually intact, I’m personally more interested in finding a realistic interim solution for fans to interact organically with the labels and bands that they want actively to support. To that end, I would also find it valuable for artists to clearly indicate what they would like their fans to do in this case. Covering one’s ears and humming loudly won’t make downloading go away; if there’s a way fans can, in some small way, patronize the artists they enjoy outside the “agreed” system, I’d see that as an incremental improvement for everyone involved (and maybe the baby steps toward a more sustainable business model?). Of course, saying “no, thanks,” is clearly an option for any artist. No question. I’m not actually rationalizing anything, I don’t think; I’m just calling out a seriously damaging gap in the current model of the music business. Disney learned to sell millions of dollars a year in videotapes; how long before labels get serious about "monetizing" our generation's Betamax? » POSTED IN:
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